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PRESERVATION
COLLECTION AUDIT · PRESERVATION PLAN · TECHNICAL CLOSURE
We make films from an independent, auteur-driven perspective, based on the premise that each project requires a distinctive form and treatment.
With the fierce energy of Los Adolfos Rap on stage, Nobody's Children brings one of the last hidden stories of Buenos Aires's underground scene into the present: an original and intense phenomenon that opened a path many bands now follow.
Dir. Lucky Sachetti, Damián Marsicano, Pablo Apezteguia
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Recovery of an unreleased recording of a Los Brujos show at Cemento, filmed on April 2, 1994, during the promotional tour for San Cipriano.
After traveling thousands of kilometers alongside researchers, enthusiasts and witnesses to the UFO phenomenon, The Search offers a human, philosophical and cultural perspective on the different manifestations of the unknown.
Dir. Damián Marsicano
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Argentina, 1973. In a country marked by political and social turmoil, Dionisio Llanca claims he was abducted by extraterrestrial beings. His account draws unprecedented attention and turns the case into national and international news.
Dir. Leandro Bartoletti · Executive production: Matías Payer · Associate producers: Panza Films and Osvaldo Ponce
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In 1977, outside his home in Hurlingham, Daniel and his cousin saw a light that did not belong to this world. Then came the abduction, the grey beings and a memory that never fully disappeared.
Years later, Daniel began sculpting without knowing how or why. Life Forms explores the connection between memory, creation and trauma, in an ambiguous territory where the human and the unknown seem to touch.
Idea and direction: Damián Marsicano
Downtown São Paulo, late 1980s. The doorman of a porn cinema loses everything when the venue is bought by a neo-Pentecostal pastor. Cornered, he decides to take back what belongs to him.
Story and screenplay: Pablo Apezteguia
A remote town becomes the setting for successive extinctions, from megafauna to the present day.
Idea and screenplay: Damián Marsicano
COLLECTION AUDIT · PRESERVATION PLAN · TECHNICAL CLOSURE
DIGITAL CLEANUP · STABILIZATION · COLOR · SOUND
DCP · FORMATS · SUBTITLES · QUALITY CONTROL
STRATEGY · PRESS · MATERIALS · CIRCULATION
Panza Lab is the technical unit of Panza Films, created to support producers and filmmakers in two critical processes: outreach and preservation. We provide services based on professional standards and best practices from the industry and archival field.
Damián works as a journalist, producer and director, taking part in independent journalistic and audiovisual projects. He also organizes OFFNI Cine Fest, a festival devoted to fantastic cinema, paranormal themes and anomalous phenomena. In parallel, he develops projects in institutional communication, corporate press, media relations and event organization.
Pablo has worked for more than ten years as an editor, colorist and technical workflow coordinator for film, television and streaming platforms. A graduate in Audiovisual Arts from UNA, he specialized in color correction and post-production workflows at EICTV in San Antonio de los Baños, Cuba. In recent years, he has focused his training on audiovisual preservation, completing UNA's Diploma in Audiovisual Heritage and currently pursuing the Diploma in Audiovisual Preservation —DIPRA—.
Write to us and tell us how we can help.
Email: panzafilms@gmail.com
Phone: +55 11 93376-1267
Phone: +54 11 4989-5714